Gerhard Kubik notes that except New Orleans, early blues lacked sophisticated polyrhythms, and there was a "really certain absence of asymmetric time-line styles (key designs) in almost all early-twentieth-century African American tunes ... only in certain New Orleans genres does a hint of simple time line designs from time to time look in the f

Menace has yet another anxiety with regards to the type beat explosion. “the situation with ‘Panda’ coming so early in my life is I didn’t have any catalog,” he explains. “consumers are declaring ‘Panda;’ they’re not expressing Menace or Desiigner. when you had a catalog you’re build up beforehand, people will at least know you.